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Jordan Casteel, Miles and Jojo Image courtesy of the artist.

Casteel, who describes herself as hyper-aware of her surroundings, creates vivid large-scale paintings that picture black males from relationshiip communities where she has lived. Her paintings—which are now featured in a group show at HOME in Manchester, England and can be seen this summer in New York at the Studio Museum in Harlem and James Cohan Gallery —are sincere portrayals of men and boys, often in pairs or trios on living-room couches or floors, that capture family and friendship through a crisp, realist style, and vibrant colors.

The street has literally entered the museum through my paintings. Working across painting, sculpture, embroidery, and tapestry, Khatibi envisions scenes that emphasize primal impulses and power struggles among human beings.

Recent paintings follow a group of white nude females in exotic landscapes, where they commingle relationshiip wild animals—riding alligators, hunting rabbits, draping snakes and octopi over their shoulders. Newly represented by Tif Sigfrids in L. Her works featured in a smart two-person show with Gina Beavers.

Panthea 02 Panthea 01 Trained as a dancer, she models her figures on herself, using her own body as a vehicle for exploring Looking for stefmbr narratives and advanced scientific and mathematical theories, while challenging conceptions of how the female has been represented in art and art history.

Where do we come from?

Why are we here? How was the universe made? The figures in my work operate as carriers of these musings.

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Image courtesy of the artist and Half Gallery. While some works seem dark and dystopian, others are tinged with notes of humor and levity; others still feel sweet, or elegant. Her characters came alive brilliantly in an animated film earlier this year in a fitting collaboration with the Metropolitan Opera.

It is such a lovely experience for me. The challenge of it and the ideas that I want to explore feel much easier to do when I am alone in Handsoome studio. Sex in fortmadison. creates large patchworks combining painting, swatches of fabric, and canvas that examine the black female body in the present.

Mockrin traces her unique figurative style back to her early teens.

Having grown up attending private school in the American South, among few other black children, Sherald has long been drawn to addressing constructions of race in her paintings, responding to personal experiences as well as black history.

Since moving to Baltimore, where she completed her MFA at Maryland Institute College of Art inthe nature of her work gravitated towards the social issues and discourse of the surrounding community.

She likened the paintings in the former show, which took its title from a Katy Perry hit, to pop songs; the latter was a tragicomedy following a female protagonist through daily dramas.

Indeed, her oils, in palettes of ripe purples, greens, and reds, exude upbeat rhythms and relatable messaging, and a magnetic force of attraction.

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Self-taught artist Kahraman uses her own body as a form of language. Inspired by the Old Masters.

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Gina Beavers, Hand bra During art school she looked to underground female comic book artists, like Julie Doucet, for inspiration, but following her MFA coursework at the School of the Art Institute of Chicago, she turned to abstraction.

In recent works she is exploring the wealth of nail art on the internet, creating paintings of intricately manicured fingers and toes.

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Gagliardi is trained in graphic design, and her art has grown out of a mastery of digital illustration. These avatars surface from dark backgrounds, their smooth, luminous faces and bodies often covered by long, lanky fingers tipped with glowy fingernails. Other works fiercely relationshil female body parts, finished with nipple and genital piercings.

It was a way for me to untangle what I was going through on a daily basis. Arysy 12, 5: Andy Warhol Self-Portrait Beginning in the late s, the Polaroid Corporation would change the face of contemporary photography, both for everyday consumers and for artists. While instant cameras were originally marketed to families and amateur shutterbugs, the company was also successful in engaging fine artists via their Artist Support Program, which offered creatives like Robert Rauschenberg.

Things got tumultuous for Polaroid in the early 21st century, and after a bankruptcy and a series of convoluted sales, the company as it was once known is now essentially defunct.

That exhibition covers the bold and eclectic range of work made across decades, and with various types of Polaroid relationshi Ansel Adams.

Hqndsome Fueled by nostalgia for film and analog technology, our collective fascination with Polaroid shows no danger of abating. Nobuyoshi Araki Kekkai From the onset, the company provided an outlet for dilettantes, avant-garde experimenters, nightlife chroniclers, and collagists, as well as traditional photographers who appreciated the high caliber of the film itself.

Adams would sign on as a consultant with Polaroid in Initial Polaroid film produced only sepia-toned prints, followed by black-and-white inand color images in Some models produced reusable negatives, allowing for multiples or editions, while others created unique one-off prints.

For contemporary artists, it was often the latter option that arsty the most interesting.

Keith Haring Keith Haring, self-portrait What exactly has made Polaroid so tempting for artists? Also important, he says, was the sense of community—Polaroid Corporation made them feel valued and welcomed. At the same time, Polaroid technology harkened back to early photographic processes before film—like daguerreotypes rleationship tintypes—that created unique objects, says Erin Barnett, the director of exhibitions and collections at the International Center of Photography.

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Chuck Close Anthurium That was especially true if that object could be augmented or altered in creative ways. Those opportunities increased with the launch of the SX model camerawhich hit the market in and whose self-developing, peel-apart film could be manipulated during and long after the exposure.

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Land, the man behind the technology itself. It was also the most consumer-friendly option yet produced by Polaroid.

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